Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Friday, 28 July 2017

Education is Forbidden



Education is Forbidden is a deeply layered mixed media engagement by Rahima Gambo about the aftermath of conflict, the nature of memory and the echoes and consequences of colonial education in North eastern Nigeria. 

Nahima Gambo is documentary photographer and visual artist based in Abuja. Her work has recently been selected to be included in the 11th edition of the African Biennale of Photography.


To find out more about this series and to see more visuals click here: http://www.rahimagambo.com/education-is-forbidden

Sunday, 9 October 2016

OPEN CALL | 20TH CONTEMPORARY ART FESTIVAL SESC_VIDEOBRASIL October 3rd to November 17th 2016


Entries are open to artists from the Global South and Portuguese-speaking countries

 Entries for the 20th Contemporary Art Festival Sesc_Videobrasil will open on October 3rd. Up until November 17th, 2016, artists from the Global South and from Portuguese language speaking countries can enter their new or existing artworks in any language or theme, free of charge. The 20th Contemporary Art Festival Sesc_Videobrasil will run from October 2017 to January 2018 at Sesc 24 de Maio, a unit of Sesc São Paulo designed by architect Paulo Mendes da Rocha, and at Galpão VB, headquarters of Associação Cultural Videobrasil.

The term Global South refers to a field of research used by human sciences and arts that relates to cultural, economic, and political situation of countries and territories on the fringe of mainstream modernization. Aware of the transient character of this notion, Associação Cultural Videobrasil and Sesc São Paulo steer their actions toward constantly reassessing the statute of this concept.

For this open call, the macro-region at hand will comprise countries in Africa, Latin America and the Caribbean, Asia (except Japan), Eastern Europe (including the Balkans), the Middle East, Oceania, and the Community of Portuguese-Speaking Countries – the latter being one of the new additions of this 20th edition. Apart from Brazil, the CPLP comprises: Angola, Cape Verde, Guinea-Bissau, Equatorial Guinea, Mozambique, Portugal, São Tomé and Príncipe, and East Timor.

The commission will select as many as 50 artists to take part in art shows, video screenings, performances, meetings with artists, public program activities, educational actions, and publication launches set to take place during the Festival, which has cemented its status as the premier Global South art platform. Shortlisted video artworks will be incorporated into the Videobrasil Historical Collection, that comprises works shown in over three decades of Festivals.

In this 20th edition, the featured artists and groups from Brazil and other countries will compete for two types of prizes. An international jury of contemporary art professionals will award 03 (three) Acquisition Awards of BRL 25,000 each to video works that will become part of the Sesc Brazilian Art Collection.

A jury of delegates of residence institutions which are partners of the Festival will award 05 (five) Artist Residency Awards, that will take place throughout 2017. Each award includes  airfare,  accomodation, and a per diem.

 Free online registration from October 3rd: www.videobrasil.org.br/opencall

Send through your entry!

Find out more about 20th Contemporary Art Festival Sesc_Videobrasil curators:

Chief curator:

Solange Farkas is curator and director of Associação Cultural Videobrasil, as well as founder of the Contemporary Art Festival Sesc_Videobrasil, first held in 1983. She was director and chief curator of the Bahia Museum of Modern Art from 2007 to 2010. She served as a guest curator at the 10th Sharjah Biennial (United Arab Emirates, 2011), the 16th Cerveira Biennial (Portugal, 2011), the FUSO - Annual Video Art Festival (Portugal, 2011 and 2013) as well as the exhibitions La Mirada Discreta: Marcel Odenbach & Robert Cahen (Buenos Aires, 2006); Roteiro Amarrado (CCBB Rio de Janeiro, 2010) and Suspensão e Fluidez (ARCO, Madrid, 2007), the two latter focussing on the work of Brazilian artist Eder Santos; and African Contemporary Art Exhibition (2000), in partnership with Klive Kellner, with artists like William Kentridge, Zwelethu Mthethwa, Sue Williamson, Oladele Ajiboye Bamgboye and Kendell Geers, and, more recently, Amanhã vai ficar tudo bem, by Akram Zaatari (São Paulo, 2016) held at Galpão VB.


Guest curators:

Ana Pato is a curator and researcher. A doctoral student at the School of Architecture and Urban Planning of the University of São Paulo (FAU-USP), she was chief curator of the 3rd Bahia Biennale (2014) and director of projects of Associação Cultural Videobrasil (2000-2012). She is the author of the bookLiteratura Expandida: arquivo e citação na obra de Dominique Gonzalez-Foerster (Expanded Literature: archive and quotation in the work of Dominique Gonzalez-Foerster).

Beatriz Lemos is a curator specialized in arts and digital networks. Holder of a master's degree in Social History of Culture from the Pontifical Catholic University of Rio de Janeiro (PUC-RJ), she is the coordinator of the publishing house Sismos Editorial and creator of the online platform Lastro. Since September 2015, she has been a member of Parque Lage Visual Arts School's Visiting Curator Program.

Diego Matos is a researcher, professor and curator. He holds a master's and a doctorate degrees from the School of Architecture and Urban Planning of the University of São Paulo (FAU-USP). He was assistant curator for the 29th São Paulo Art Biennial (2010) and for the 18th Contemporary Art Festival Sesc_Videobrasil (2013). From 2014 to 2016, he coordinated the Archive and Research Team at Associação Cultural Videobrasil.

João Laia is a writer and curator. He has curated for institutions like Moderna Museet, in Stockholm; the Chiado National Museum of Contemporary Art, in Lisbon; Videoex, in Zurich; Delfina Foundation and Whitechapel Gallery, both in London; and Parque Lage, in Rio de Janeiro. He contributes with texts and reviews for publications and vehicles Frieze, Mousse, Flash Art, Terremoto and Público.

Monday, 8 December 2014

TRANSOCEANIC VISUAL EXCHANGE (TVE) OPEN CALL



TVE is making an open call in search of recent artist's film and video to be included in an exchange between Fresh Milk (Barbados), RM, (Auckland) and VAN, Lagos (Nigeria).

Fresh Milk, RM and VAN Lagos, are pleased to welcome submissions of recent film and video works – screenings, installations and expanded cinema – by contemporary artists, to be included in programmes for exchange between Barbados, Auckland and Lagos. Submitted works must have been completed in the last five years and must be made by artists practicing in the Caribbean, Africa or Polynesia.

The foundation of this transoceanic visual exchange (TVE) will be a collection of recent artist’s film and video from each region. However, the final shape and content of the programme will be informed by an open workshop process, which aims to involve and promote discussion within the wider arts communities of each arts initiative.

Working between the Caribbean, Africa and Polynesia, TVE aims to negotiate the in-between space of our cultural communities outside of traditional geo-political zones of encounter and trade. Fresh Milk, VAN Lagos and RM first met as participants in IAI (International Artists Initiated), a programme organized and facilitated by David Dale Gallery, Glasgow, in July 2014. TVE intends to build upon relations established during this initial encounter and open up greater pathways of visibility, discourse and knowledge production between the artist run initiatives and their communities.

Submissions:
Must be work from artists practicing in the Caribbean, Africa or Polynesia.
Must be works that have been completed/made in the last five years.
Can be films of any length (shorts, experimental, features and video artworks)
Can be in any language (films originally produced in regional languages are welcome) with English subtitles.
Multiple submissions are welcome
Must be accompanied by a description of the work (500 words max), a bio (200 words max) and detail of any technical requirements i.e. audio, installation, equipment required, preferred setting etc.
Works must be in the form of mp4 files no larger than 10MB, or private vimeo / youtube links

Deadlines for Submission: 16th February 2015
The exchange will occur in June 2015
Please send submissions and enquiries to the region in which you are practicing:
Caribbean: freshmilkbarbados@gmail.com
Polynesia: taarati@rm103.org
Africa: info@vanlagos.org / vanlagos.org@gmail.com

About the Spaces
The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organization that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. Fresh Milk bridges the divides between creative disciplines, generations of creatives, and all linguistic territories in the region. It functions as a cultural lab, fostering critical, creative practices through local, regional and international programming. The platform transforms into a gathering space for contemporary creatives who are thirsty to debate ideas and share works through residencies, lectures, screenings, workshops, exhibitions, projects etc.

The Video Art Network, Lagos (VAN, Lagos) is a Lagos based New Media art organization, established by the collaborative efforts of artists Emeka Ogboh, Jude Anogwih and cultural producer Oyindamola Fakeye. The organizations objectives are to develop educational and public programmes that promote and create new media art awareness in Nigeria. This is realized through curated screenings and exhibitions of both established and emerging New Media artists.

RM is an artist-run space, project office and (gradually developing) archive. Based in Auckland, New Zealand, RM is a gallery that places the work of local emerging artists alongside more seasoned practitioners. RM seeks to engage with the practices, discourses and modes of presentation that aren’t well-supported or easily accessible in Auckland. Though we might look like a white cube, we are more interested in the potentials of an empty room – a space to gather, to think, to talk, to make, to share… Established in 1997, RM is the country’s longest running artist-run-space. The co-directors are Eleanor Cooper, Melanie Kung, Ziggy Lever, Fleur Sandbrook, Taarati Taiaroa, and co-founder Nick Spratt. Previous incarnations of the rm project have included rm3, rm212, rm401 and rm103.



Friday, 17 October 2014

Legend: The Teller and the Told


Venue: Centre for Contemporary Art Lagos
9 McEwen, Street, Yaba, Lagos
Date: Oct14th‐18th 2014
Time: 12–6pm daily

The music, politics and ideologies of Afrobeat music pioneer and human rights activist Fela Anikulapo Kuti, would influence Nigeria and the World long after his death in 1997. As part of the 2014 Felabration celebration, The Video Art Network Lagos (VAN Lagos) will be screening five films documenting his life and impact including previously unreleased footage.

Thursday, 8 November 2012

Afrika Eye Film Festival- The Moving Image

The first ever virtual continental collaborative Afrika Eye Film Festival Discussion Friday 9th November 2012 evening at iHub with African Interactive, Bristol UK, all on Film and Digital Media The theme is "The Moving Image"

The discussion will focus on how the Digital can expand the audience for the African moving image and also explore new forms of film production, funding, distribution models and opportunities on collaborative projects between Kenyan and British film makers. All this will happen in a Unique format-depending on where you are on Friday. The audience will get to interact with both panels in Bristol and in Nairobi's iHub via an intergrated weblink

Panel: iHub, Nairobi 5-7pm
Producer, Director- Bob Nyanja
Producer Director - Wanuri Kahiu
Producer, Director, Writer and Film Legend - John. E. Maina

Moderated by Jenny Muigai aka @skinnyfilmmaker

Panel :- Watershed Theatre, Bristol 2-4pm
Writer, Producer - Andrew Mugoya
Producer, Director - Simon Bright


For more info on the event and bios of the panelist click here > http://afrikaeye.org.uk/2012/10/african-interactive-the-moving-image/

(The event is free but space is limited so kindly reserve your place by RSVP to this email).

Thursday, 16 September 2010

OFFLINE FV Shorts

OFFLINE FV : Film and Video Exhibition curated by Michael K Taylor
Exhibition Dates: Sept 11th 2010 - Sept 25th 2010
Hours: Thurs-Sat 12-5 with special screenings 6-8pm each Thursday
Location: The Community Artists' Collective 1413 Holman near LaBranch Houston, TX 77004 713-523-1616- Tea Room Gallery

Short experimental films from American and Africa (total run time 21:23 min), featuring:

Songs for My Fathers - by Tierney Malone feat. Charlie Perez (Houston, TX)
length 2:43 min
Against the Wall - by Andrew Esiebo (Lagos, Nigeria)
length 3:51 min
[dis]connect - by Emeka Ogboh (Lagos, Nigeria)
length 1:58 min
Dreams (Smeard) Smeared - by Jude Anogwih (Lagos, Nigeria)
length 1:02 min
Carbon Blues - by Uche Joel Chima (Lagos, Nigeria)
length 2:44 min
Outage - by Outrage by Lillian Pilaku (Lagos, Nigeria)
length 2:16min
Elinor Beauregard - by Simone Bailey (San Francisco, CA)
length 1:35 min
Vanishing Point - by Patrick Lovejoy (NY & CA)
length 4:36 min

Glad to see Nigerian (Lagosian) Video Art exhibited to new audiences, and our very own Jude Anogwih and Emeka Ogboh featured. We were told that during the question and answer session much of the debate centred around the work of the Nigerian artists, leading to discussions around politics and environmental issues on the continent (Africa).

Wahala Dey